For Logic Pro on Apple Silicon
TineEQ is one Audio Unit that tunes, arranges, mixes and masters. You type what you want. It reads the whole session, makes the moves, shows you each one, and undoes them in one step.
One plug-in
Put TineEQ on every track and on the Stereo Out. Pick a mode, or let the engineer set it. The Second Engineer prompt box is in every window.
On vocal tracks
Real-time pitch correction with key and scale, retune speed down to 0 ms for the hard effect, humanize, flex-tune, formant shift and transpose. Then the polish: EQ, de-essing, compression, drive, and Space (plate reverb and tempo-synced delay).
Tune, EQ, de-ess, comp, drive, Space
20 ms latency
On the beat and instruments
A tight channel strip, and it listens to the music: it detects the key from the beat so vocals can be tuned to it.
EQ, comp, drive, key detection
On the Stereo Out
A mastering chain with BS.1770 loudness metering and a “Match target” button, so you see where the mix sits before and after.
EQ, glue comp, width, lookahead limiter
The second engineer
Give it the beat, a hook you recorded once, the verses and a pile of adlibs. One prompt, and it works through the job in this order.
Logic plays the song while every TineEQ instance records its input against the timeline.
It finds the tempo, the bar grid and the sections, and works out the key from the beat.
The hook is trimmed to musical boundaries, pickups and breaths kept, and a copy is placed at every hook.
Adlibs go into the same slots in each hook, and into gaps the lead leaves.
Vocals are tuned to the song’s key. Gain, EQ, compression, de-essing, space, balance and pan are set, including Logic’s own faders.
The Stereo Out is mastered to −14 LUFS with a −1 dBTP ceiling.
Arrangements play straight from TineEQ on the original track, in time with Logic. Use Bounce in Place to keep them. If you allow TineEQ in Accessibility settings, it creates real tracks instead and mutes the originals. Your recordings are never changed.
Built into Logic
TineEQ works inside your session rather than beside it.
Correction runs live on the track, so there is nothing to bounce. Retune speed, humanize and formant are all adjustable while you listen.
The engineer lists exactly what it changed. One click reverses the whole job: arrangements come off, any new tracks are removed, sources are unmuted and settings are restored.
Where it stands
TineEQ is in development. The full “finish the song” run has been verified in Logic Pro 10.7.3 on a synthetic test session, not yet on a catalogue of real recordings.
Early access
TineEQ is not publicly available yet. If you make records in Logic Pro and want to test it, get in touch and you will hear when it opens up.